Author: Norton

Meeting Hannibal’s elephants at the Philly Zoo

Meeting Hannibal’s elephants at the Philly Zoo

My object is the statue of elephants at the entrance to the Philly Zoo. I believe it was created in 1946, and while I do not know for sure that the artist explicitly made the state in honor of the 2,164 year anniversary of Hannibal’s crossing of the Alps, I have no doubt that it played a subliminal part in the artistic choice. The material seemed to be made out of Norwegian granite (far inferior to Roman marble) and the internet states that it was sculpted by Carol Highsmith. Originally, I planned to go to the zoo to take a picture with a vulture as they played crucial role in Roman mythos and have an extensive history with Rome. However, there is apparently a raging avian flu pandemic occurring at the moment and all the birds either died or were caged up inside. I immediately thought that this was analogous to the Gallic sack of Rome of 390 BC, only far more devastating in scale for me personally. The zookeepers who saved the birds by moving them inside should be thought of as similar to the Geese who saved the Romans on top of the Capitoline.

I would have preferred to take a picture with live animals, and there were some very cute otters, but I do not know how important they were in Roman history/culture. Additionally, there were no she-wolves there (of either interpretation), thus I was left with no choice but the Norwegian elephant. I believe Rome had its first experience with elephants after conceding a Pyrrhic victory vs Pyrrhus who in turn had them by virtue of Alexander’s interactions with India a 1/2 century earlier. The Romans were (understandably) freaked out the first time they face them in battle, but it appears that they soon got a hang of anti-elephant tactics and were able to withstand elephant charges later. Also, famously Hannibal brought elephants with him over the Alps in his 2nd Punic War with Rome, but evidently as in the case of the tortoise and the hare, they were no match for the slow, boring tactics of Fabius. After this, it seems they played a larger role in Roman mythos and culture/history than in real battles. Elephants reveal the most important Roman cultural ideal: hatred of all things Greek. Rome liked to suggest that they were above using elephants as this was a “Greek thing”, but they still did it sometimes.

Monty Python: Life of Brian

Monty Python: Life of Brian

Monty Python’s “Life of Brian” explores Jerusalem during Roman occupation through the story of one resident named Brian. The movie offers a ludicrous yet somewhat compelling picture of what the Roman Empire looked like in the early first century CE. There are Roman names, architecture, customs, speech, and even some traces of Epicureanism are present.

The film opens with newborn Brian’s cradle being visited by the 3 wise men who soon realize they have mistaken Brian for a newborn Jesus Christ. In fact, Brian’s life follows a somewhat similar path to Jesus’ and they both end up meeting the same fate. Next, Brian is seen as an adult with his mother attending one of Jesus’ sermons, however he is too far away to hear anything. After attending a stoning of a heretic, Brian spots several members of the rebel group known as the People’s Front of Judaea (not to be confused with the Judaean People’s Front). This scene and the whole story of the People’s Front of Judaea is analogous to the constant revolts we learned about during the republic in Italy, Spain, and Gaul.

After a poorly planned abduction of Pontius Pilate’s wife goes awry, Brian lands in front of Pontius Pilate himself, set for a certain death. Brian pleads that he is a Roman citizen because his father was a Roman centurion. This made me think of the phrase “Civis romanus sum” as it was uttered by Cicero in the trial of Verres and the utmost importance that both fatherhood and citizenship had during the Roman Republic. However, Brian escapes death because his guards are incapacitated by laughter after learning of Pilate’s friend “Biggus Dickus”. After our lesson on the importance of Roman names, I understood that Dickus must be a (unfortunate) family name with Biggus as his given name. Though Biggus is certainly an unfortunate given name with Dickus as the family name, at least the father was kind enough not to give his son the name Smallus. 

Brian escapes captivity via an impersonation of a religious prophet; however, he soon gains a (accidental) religious following who views him as a messiah. After being chased around and stalked by his prodigious following, Brian is recaptured by the Romans. His religious status must have made the Romans even angrier seeing how Rome reacted to the Bacchanalian affair, and anything that could be viewed as private or subversive. Brian is forced to carry a cross and is crucified; however, the occasion does not dim the spirit of his fellow convicts who proceed to cheerily sing a song named “Always look on the bright side of life”. This is the attitude of the Epicureans who did not fear death, instead suggesting that since death cannot touch us in life, there is nothing to fear. In fact, a line in the song embodies the epicurean spirit as it reads “I mean, what have you got to lose? / You know, you come from nothing / You’re going back to nothing / What have you lost? Nothing.” The film ends with the condemned happily embracing the spirit of Epicurus as they enter the twilight of their lives.

Commodus more like Commo-sus

Commodus more like Commo-sus

Gladiator follows an esteemed Roman general named Maximus (portrayed by Russell Crowe) as he is betrayed and presumed to be dead, only to rise again and exact justice on his evil nemesis Commodus. The movie opens with Maximus firing up his men for a battle against some scary looking Germanic tribes where he uses his expertise to decisively defeat them. After, the viewer learns that the aging emperor, Marcus Aurelius, intends to name Maximus as his successor instead of his ne’er do well (and incestuous) son Commodus. Commodus arrives and suffocates his father after learning the news. Then, he arranges for Maximus to be killed when he suspects that Maximus will not be loyal to him and off-screen he arranges for Maximus’ family to be killed as well. Maximus escapes (his family is not so lucky) and goes to his home to find his family murdered. He is then captured by slave traders and is sold to a gladiator trainer. He makes friends with some of the other gladiators and is a natural, winning all of his fights. Then, he eventually makes it all the way to the coliseum where he wins his fights against all the odds while wearing a mask and reveals his identity to the dismay of Commodus. After this, Maximus and some other influential Romans including Commodus’ sister arrange for Maximus to escape the city, retake command of his former legions, and topple Commodus from power. Commodus learns of this and blows up Maximus’ plans, murdering many of his friends and co-conspirators. Commodus decides to have a duel with Maximus in the coliseum to save face and eliminate his foe once and for all, but the fight is not fair as he stabs Maximus in the gut right before the fight. Despite this, Maximus still kills Commodus in epic fashion before collapsing and dying, finally seeing his family again. 

Taking Roman Revolutions definitely made the story of Gladiator much more enjoyable than when I had previously watched it. So many little things gained a new meaning due to the class. Connections were everywhere: Maximus had 3 names exemplifying his noble birth, he was a farmer/soldier which was the idealized system in the Republic, his trainer had been a slave that won his freedom, and the scene in the coliseum was of the 2nd Punic War. It also elucidated the differences between the Republic and Empire. For example, the emperor had essentially supreme control over everything as opposed to the Senate or the people. Next, the diversity of the Empire stood in contrast to the Republic as the Empire was far larger and encompassed more people than the Republic. Lastly, the prospect of an army led by Maximus marching on Rome was entirely foreign for most of the Republic (until Marian and Sulla at least) and shows where our study of the late Republic is leading.

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