Author: Fiscarelli-Mintz

Cacio e Pepe: A (not so classic?) Roman Classic

Cacio e Pepe: A (not so classic?) Roman Classic

Kai-Ling, Kate and I made cacio e pepe, a pasta dish with cheese and black pepper sauce, as a final Roman dinner. Having made cacio e pepe before, I had heard it often described as a quintessentially Roman dish, and I learned from a friend outside this class who had visited Italy that cacio e pepe is still very common in modern-day Rome. Though my frienf wasn’t able to try to the dish directly, he still loves cacio e pepe from his days in Rome, making it at home and searching it out on menus, and recalls it as one of the dishes that made him love pasta. Yet with only three ingredients (spaghetti, pecorino romano cheese, and black pepper), none of them ingredients only available in Europe after contact with the Americas, and all of them seemingly in line with other ancient Roman dishes I had heard of that seemed to mainly involve cheese and wheat products, I figured it might be possible that cacio e pepe (or something close to it) might have been made in Ancient Rome as well . I did further research into the dish’s origins, finding an informative BBC article by Emily Monaco (https://www.bbc.com/travel/article/20200512-cacio-e-pepe-italys-beloved-3-ingredient-pasta-dish) that described several possible origin stories for cacio e pepe, including legends that it was first made by shepherds in the Appenine mountains who made the dish on cold nights since dried pasta, sheep’s milk cheese, and dried pepper could all be easily acquired, transported, and kept for long periods of time and made into a simple yet flavorful and filling dish. Yet others argue that the dish most likely originated in the 1800’s as “is said to have arrived in Italy through the Venetian ports” and thus wouldn’t have been available to most Romans before the unification of Italy and widespread trade between cities across the peninsula.

Whatever its origins, I enjoyed making this dish- I used the Bon Appetit recipe here but was a bit disappointed by the results, as I’ve made cacio e pepe using other recipes that I thought had turned out more flavorful. The Bon Appetit recipe I used called for using butter in the sauce, which, according to the BBC article, would not be typical for most Roman recipes of the dish that rely solely on reserved starchy pasta water, fat from the shredded cheese, and careful mixing technique to produce a creamy sauce, and the use of cream or butter would be immediately sniffed out and condemned by most native Romans. The next time I make cacio e pepe, I’ll probably use a different recipe, bloom more pepper in the pan without butter and let it cook for longer to intensify the flavor, and add the starchy water more gradually before adding the pasta.

Bon Appetit Recipe: (https://www.bonappetit.com/recipe/cacio-e-pepe)

Ingredients

2 servingsKosher salt

6oz. pasta (such as egg tagliolini, bucatini, or spaghetti)

3Tbsp. unsalted butter, cubed, divided

1tsp. freshly cracked black pepper

¾cup finely grated Grana Padano or Parmesan

⅓cup finely grated Pecorino

Preparation

Step 1

Bring 3 quarts water to a boil in a 5-qt. pot. Season with salt; add pasta and cook, stirring occasionally, until about 2 minutes before tender. Drain, reserving ¾ cup pasta cooking water.

Step 2

Meanwhile, melt 2 Tbsp. butter in a Dutch oven or other large pot or skillet over medium heat. Add pepper and cook, swirling pan, until toasted, about 1 minute.

Step 3

Add ½ cup reserved pasta water to skillet and bring to a simmer. Add pasta and remaining butter. Reduce heat to low and add Grana Padano, stirring and tossing with tongs until melted. Remove pan from heat; add Pecorino, stirring and tossing until cheese melts, sauce coats the pasta, and pasta is al dente. (Add more pasta water if sauce seems dry.) Transfer pasta to warm bowls and serve.

BBC Recipe: (https://www.bbc.com/travel/article/20200512-cacio-e-pepe-italys-beloved-3-ingredient-pasta-dish)

Simone Zanoni’s Spaghetti Cacio e Pepe

Ingredients:
200g high-quality, artisanal spaghetti (Zanoni uses Neapolitan spaghetti)
4-7g wild black peppercorns (adjust to taste, depending on the assertiveness of the pepper)
160g Pecorino Romano, plus two pieces Pecorino rind
3l water seasoned with 15g of kosher salt

Instructions:
Prepare your mise en place (the French world for having all your ingredients prepped and measured) in advance. Crush the peppercorns with a mortar and pestle. (If you do not have a mortar and pestle, use the bottom of a saucepan to crush them on a chopping board.) Grate the Pecorino with a Microplane (grater).

Bring the water to a boil, season with the salt, and add the spaghetti. Stir gently at the beginning to keep the pasta from sticking to the bottom of the pot.

Meanwhile, toast ¾ of the pepper in a pan over low heat until aromatic, about 1 minute. Be careful not to burn the pepper. Remove the pan from the heat, and gently add 2 to 3 ladlefuls of starchy pasta water to the pepper. Bring to a boil. Add the cheese crusts and simmer.

When the spaghetti is half-cooked (after about six minutes), transfer it to the pan with the peppercorns and starchy pasta water, reserving the remaining cooking water. Transfer another ladleful of water to the pan. After a few more minutes, remove the Pecorino rinds, and place them in a non-stick pan over medium heat to toast on both sides. When nicely toasted, remove and set aside.

Meanwhile, continue cooking the spaghetti until two minutes before al dente (cooked “to the tooth” with a slight bite). Turn off the heat and allow the pasta to rest; there should be a bit of cooking water left in the pan.

After about a minute off the heat, begin adding the grated cheese to the pasta from above, shaking the pan all the while to coat evenly. Add cooking water as needed to help the sauce bind; the sauce will thicken as the pasta sets.

Serve the pasta in a warmed dish. Top with the remaining pepper and a little bit of freshly grated Pecorino. Finely slice the toasted Pecorino rinds and sprinkle on top.

Classics Colloquium April 27, 2022: Momentum in Modern Poetry

Classics Colloquium April 27, 2022: Momentum in Modern Poetry

This afternoon, I attended the poetry reading of “The Eleusinian Mysteries”, a reworking of the ancient Greek myth of Hades’ abduction of Persephone written and recently published by a Haverford alum. As a lover of Greek mythology, I found both this topic and in particular the reworking of this myth into modern poetry and reimagined with Persephone as protagonist, especially interest. This book (in gross oversimplification) retells the story of Persephone’s abduction by and forced marriage to Hades from (supposedly) her perspective, reimagines her interactions with Orpheus in both poetic metaphor and plot impact, and then narrates her rise from victim to villain, as she seeks the demise of both Hades and Demeter, the overthrow of Zeus, and seems to pursue divine world domination. In the words of the author, the book reads as “erotic mythology fan fiction”, interested particularly with perversion and post-Soviet Russia as well as laced with continual references to infrastructure. The poet also mentioned being “obsessed” with the idea of person as place, pointing to how Hades refers to both the name of the god and the Greek underworld as a place as well as other instances of name/place confusion/conflation/consistency in Greek mythology including Tartarus (both the hole where the Titans were thrown and the name of an individual Titan) and Gaia, the Titan of the Earth and the Earth as a physical entity/location itself (the poet also alludes to a similar Zeus/sky person/place dynamic but less directly so in the later poems of the book). While largely focused on Greek mythology, the book reaches far beyond the world of mythical Greece, both with an entire section focused on a couple living in post-Soviet Russia and consistent allusions to Soviet and post-Soviet Russia throughout the book and in the titles of the poems that make up the book, including a direct reference to Ancient Rome with one poem titled “Carthage Must Be Destroyed”. I found this interlocational and intertemporal approach particularly compelling given our discussion of Momentum in class today, as this work and other interpretations and/or reworkings of classical mythology serve as a kind of momentum both ancient and modern, carrying ancient advice, warnings and calls for remembrance into the modern world and adapting those lessons, hopes, and memories into culturally, politically, and emotionally relevant stories for the present.

Roman Legacy in the United States Capitol

Roman Legacy in the United States Capitol

Last month, my boyfriend visited Capitol Hill in Washington D.C.. While unfortunately the Capitol was closed to visitors while we were there, I was still surprised at how many legacies of Rome linger in the United States Capitol. The name alone seems a direct descendant of the Capitoline Hill, as the United States Capitol itself stands atop a large hill- we even saw a sign that said the upper balcony on the capitol building was added in part to add horizontal platform above the sloping front steps to make sure the building didn’t look like it was sliding down the hill from afar! I’ve been to Capitol Hill several times before, both as a protester and a visitor to the Capitol and the House and Senate galleries, but coming back with a greater understanding of the legacies the Senate and Capitol pull from made me notice different aspects of the Hill. Seeing the large barricades on the Capitol Building itself (in addition to the many layers of security to get into or even around the building) made me think about how much access I had to the Senate vs how much ancient Romans would have had to their Senate, and the histories of violence upon the people and even building of both Senates. Though as a United States citizen I can visit the offices of my state’s senators and ask for free passes to get into the Senate Gallery, affording me much more access and transparency to the goings-on of my government than it seems a Roman citizen might have had to their Senate, I have to go through layers of security at every step to keep the kind of violence by citizens against their own houses of government that plagued the Roman Senate away (with good reason considering the violence at Capitol last year). While the United States Capitol was burned once by an invading army in 1812, the Roman Senate House was burned down several times by its own citizens. While my boyfriend had never visited the Capitol building before, he studied abroad in Rome and offered interesting comparisons to our Capitol and modern-day Rome, especially noticing the way the layout of Capitol Hill incorporates large green spaces, perhaps for visitors and congresspeople’s enjoyment, perhaps to provide a place for large protests that wouldn’t interfere with daily life, or to reinforce a separate, removed quality of government from the hustle and bustle of the city.

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